摘要
《檀香刑》从不同人称叙述故事 ,从人物的不同视角观察感受事物 ,既增强了故事的可信性和人物的真实感 ,使读者进入故事 ,产生引人入胜的艺术效果 ,又使读者跳出故事 ,反思叙事者本身 ,产生启人理智的间离美学效果。
Sandalwood Instrument Torture narrates in different persons,observes and feels things from different angles of vision of its characters,which not only makes the story seem credible and the characters true,brings its readers into the story and produces fascinating artistic effect,but also makes its readers jump out of the story and rethink about the narrator,thus produces aesthetic effect of distance that makes people reasonable.
出处
《许昌学院学报》
CAS
2004年第6期71-72,共2页
Journal of Xuchang University
关键词
第一人称限制叙述
内视角
异故事人物叙事模式
距离控制
first person limited narration
inner angle of vision
narrative pattern with the narrator's being outside the story
distance control
