孙犁美学转型论纲

The Outline of Sun Li’s Theory of Aesthetics Transition

在中国美学现代转型的视域中 ,孙犁的突出成就在于 :对文艺与政治关系全面而深刻的阐述极大地充实了艺术社会学 ,对现实主义创作精神的整体把握和学理性论析 ,为近代“崇高”保留了必要的地盘 ,为审美主体的人格自塑提供重要的参考。由于自身“审美情结”的强大与心理承受力的偏弱 ,导致孙犁美学转型的艰难性、痛苦性 ,也妨碍他从西方现代主义文学、美学汲取必要的营养 ,但与这方面的缺失同时并存的是 :为中国当代文学和美学不加分析地滑向西方现代主义和后现代主义 。

In modern transition of Chinese aesthetics, Sun Li’s outstanding accompliments lie in the fact that his complete and profound expression of the relation between literature and art and politics greatly enriched artisic sociology and that his comprehensive control and theoretical analysis of the essentials of realist writing successfully preserved some necessary room for comtemporary “loftiness” and provided significant referece for self-establishment of the personality of the aesthetic subject. Owing to his overwhelming “aesthetic complex” and relatively poor psychological endurance, Sun’s difficulty and pain in aesthetic transition was quite imaginable, which also hindered him from absorbing some necessary insights from modernistic literature and aesthetics in the West. However, it was just this distinction of Sun Li’s that helped preserve some useful discourse resources in contrast to contemporary Chinese aesthetics falling unanalytically to modernism and post-modernism in the West.