摘要
拼贴和色彩运动是立体主义绘画在其发展过程中所形成的绘画特点和技巧，它体现了20世纪初艺术家们从根本上重新理解世界的要求。对人类零碎生活经验的重新整合同样也是诗人艾略特的美学追求，在《荒原》中得到了完美再现。《荒原》的拼贴手法主要通过剪辑和内嵌材料两种方法来实现；色彩从另一个侧面展示了《荒原》的象征魅力。
Makeup and color are typical of three-dimensional painting and reflect the 20th-century artists' demand of re-understanding the world. To re-conform and reproduce human fragmentary life experience is Eliot's aesthetic pursuit, which is reflected inThe Waste Land.The Waste Land builds its perfect structure through montage and its inlaying materials and presents its symbolic charm by colour.
出处
《株洲师范高等专科学校学报》
2004年第6期56-59,共4页
Journal of Zhuzhou Teachers College
