论当代古典戏曲理论研究体系的建立及其内涵

On the Contemporary Research System of Classical Dramaturgy

通过对20世纪以来中国古典戏曲理论研究专著的回顾,认为目前现有的研究成果在把握古典戏曲理论的民族性和全面性等方面还比较薄弱。由此本文提出建立当代中国古典戏曲理论研究的新体系,它既要立足于本民族的理论传统,又要具有先进性,能够系统、全面地容纳古典曲论的内容。因此,古典戏曲理论研究至少应该包括戏曲本体、创作、表演等三个层面的理论内涵。

Based on an examination of the studies conducted in the 20th century on classic dramaturgy, the paper holds that these studies are defective in that they are not constructive in explaining the ethnicity and comprehensiveness of classical Chinese dramaturgy. The paper goes on to propose that a new research system based on a combination of the Chinese tradition and modern methodology be established and that future dramaturgical studies include drama production, creation and acting.