摘要
20世纪末 ,女性散文出现分化 :以“玩”的心态登场 ,找“乐”的“小女人散文”开始消退 ,守望灵魂的女性社会派散文开始形成。在女性社会派散文中 ,张抗抗专注“沉默” ,对专制主义大胆抗争 ;苏叶则把散文的血脉与社会紧密相连 ,以老辣的“乱谈”求纵求放求透 ;筱敏则以对“革命”的“革命”的凭吊 ,对极权主义和语言暴力进行清算 ;王英琦的散文则作战略转移 ,呈现出信仰与现实、现性与非理性的二律背反 ,其创作态度是“欠彻底”的。
In the last years of the 20th century,essays written by women appeared a new t urn:the social school began to take shape in the manner of 'treating everything lightly',instead of 'looking for fun 'of so-called“little woman's essays”.Zhan g Kangkang,one member of the school,focuses her attention on fighting against au tocracy;Su Ye, on 'taking freely'about the society;Xiao Min,on denying totalitar ianism and language violence;and Wang Yingqi, on displaying the contradication b etween relief and reality.
出处
《盐城师范学院学报(人文社会科学版)》
2004年第3期25-33,共9页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)