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论越剧的剧种风格 被引量:15

On the Drama Style of Shaoxing Opera
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摘要 适应剧种风格 ,是越剧生存与发展必须重视的问题 ,失去自身风格就失去了立身之本。剧种风格是历史形成的 ,对应着观众的审美需求。越剧的风格与地域文化 (从吴越文化、江南文化到上海文化 )有关 ,与时代环境有关 ,它属于“酒神文化”类型 ,审美形态表现为青春美、人情美、东方女性美、舞台整体美。剧种风格有稳定性 ,同时又随着时代和观众需求而变化 ,要处理好保持剧种风格和创新的矛盾。 It deserves attention for the survival and development of Shaoxing opera to adapt to its drama style. Shaoxing opera would not go without its own style. The style of a certain genre of drama takes shape in the history, in accordance with the aesthetics of the audience. The style of Shaoxing opera is related to local culture (from the culture of Wu and Yue, the south to Shanghai) and the contemporary circumstances. It belongs to'the culture of the God of wine',manifested in the beauty of youth, human sympathy, eastern women and the whole theartrics. The style of a genre of drama is stable to some extent and evolves with the times and the need of the audience, and thus it is necessary to find a good solution between stability and creativity.
作者 高义龙
机构地区 上海艺术研究所
出处 《浙江艺术职业学院学报》 2004年第3期1-18,共18页 Journal of Zhejiang Vocational Academy of Art
关键词 越剧 剧种风格 酒神文化 创新 审美需求 吴越文化 江南文化 Shaoxing opera style of a genre of drama culture of the God of wine stability creativity
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