传统装饰纹样中的吉祥观念与现代设计

The Concept of Being Auspicious in Traditional Veins Decoration and the Modern Design

本文从吉祥观念的起源谈起 ,论述了我国传统装饰纹样中的吉祥观念的表现形式及其寓意的本质 ,从一方面反映了装饰是一种善和美的行为和意志 ,传承与发扬它 ,把其精神元素融入现代设计之中 ,必定会使设计更具文化性与社会性。

Discussing the origin of the concept of being auspicious, this thesis aims to explore ways in which the veins of traditional decoration demonstrate themselves in auspicious forms and to illustrate the metaphorical essence contained in the veins. To some extent, decoration is to combine goodness and beauty. So designers will make design become more social and more cultural by disseminating decoration and combining spiritual elements with the modern design.