大明泰始诗论

The Poetical Theories in the Eras Daming and Taishi in the Southern Dynasties

南朝从刘宋元嘉到梁初沈约谢世 ,约九十年。诗歌从古奥又未免有些蹇碍的元嘉古体 ,嬗变为清畅流利、讲究声律的永明体 ,中间还有一个大明、泰始时期。本文对大明、泰始时期的文学作了时间的界定 ,对这一时期诗风嬗变的整个进程作了深细的探讨 ,分析了颜延之、鲍照、谢庄、 (前期 )江淹等人在这一时期分别所起的作用 ,认为大明、泰始时期的诗歌是从元嘉古体发展到永明新体的中间重要环节。文学史的研究 ,重视这类中间环节的研究 ,是很必要的。

The antique and somewhat difficult poetic style named by 'Yuanjia's old pattern' (元嘉古体) had changed by and by to the lively, rhythmic 'Yongming's pattern' (永明体) during about 90 years in the Southern Dynasties,starting from the Era Yuanjia in Liu's Song Dynasty to the early years of the Liang Dynasty, when the poet Shen Yue died. In the course of this poetical vicissitude, there was Daming-Taishi period. This article makes a temporal definition for the literature of this period and deliberately studies its whole process of poetical vicissitude. It analyses the respective roles displayed by Yan Yanzhi, Bao Zhao, Xie Zhuang and Jiang Yan (confined to his early period), etc., and affirms the poetry of this period to be an important intermediary link between 'Yuanjia old pattern'and 'Yongming pattern'. It's necessary to pay attention to the studies of such an intermediary link in the literary history.