摘要
The newly created works of wu lieyan on suzhou classic garden were no longer a pictorial illustration in traditional way he wanted to adopt a morepure painting lauguage to re-interpret those planes with architectural meaning to seek trace of rensonnble sturfore and design form subjective extravagant colors.
The newly created works of Wu Lieyan on Suzhou classic garden were no longer a pictorial illustration in traditional way.He wanted to adopt a more pure painting language to re-interpret those planes with architectural meaning,to seek trace of reasonable structure and design from subjective extravagant colors.
出处
《东南文化》
2003年第6期92-94,共3页
Southeast Culture