《饥饿的郭素娥》:疯狂与艺术的张力

《Hungry Guo Su'e》: The Tension between Madness and Art

《饥饿的郭素娥》(1943)是路翎的成名作，这部作品远远超过描写煤矿工人的生活这种题材性意义，其大胆的艺术构思和特异的人物形象，轰动了当时的文坛。尽管历史轮流地扮演了鼓舞者和摧残者的双重角色，竟然制造出路翎这个过于沉重的名字，但现在的课题还是进一步深层发掘其天才和疯狂的意义所在。不是无赖的男人对人世的过度憎恨和不是妓女的女人对爱情的过度追求，它们所编织出来的十分紧张的命运，便是路翎拿《饥饿的郭素娥》给现代文学史崭新地树立的贡献。以张振山为代表的流浪汉型特异形象，以郭素娥和魏海清为代表的殉道者型特异形象是抵抗人世的褊狭和罪恶的两种不同社会化方式。刘寿春所代表的歇斯底里型特异形象是无意中讽刺描述人世的褊狭和罪恶的私有化方式。

‘Hungry Guo Su'e'(1943)is the work which has brought Lu Ling into Prominence.The literary world of those days paid attention to the work not only as it has expressed the life of coal miners vividly,but also as it has conceived the kind of plot beyond our imagination and very unique characterization.Though Modern Chinese History gave too much weight to bear to the name of Lu Ling by its repeated oppression or encouragement,now it's time to bring the profound meaning of his genius or madness to light.In 'Hungry Guo Su'e' Lu Ling had a new and deep influence on Modern Chinese Literature by the thriling fate itself woven between a man who has excessive hatred against the world and a woman who has excessive pursuit of love.The unique character of wanderer represented by Zhang Zhensan and that of martyr represented by Guo Su'e and Wei Haiqing show two different ways resisting to the biased and sinful world.And another unique character of hysteria represented by Liu Shouchun is a comic parady of that world in unconcious level.