蒙太奇式结构——论品特剧作《背叛》和《山地语言》的后现代艺术特征

A postmodern review on Pinter's Montange-like dramatic structure

后现代主义是自 2 0世纪中叶以来的重要文化理论 ,许多当代文学作品都或多或少地反映了它的一些特征。传统文学评论一直认为英国剧作家哈洛德·品特为荒诞派一员 ,除此而外 ,他的作品还具有鲜明的后现代写作特色。本文通过对品特两部作品结构的分析 ,论述他们所体现的后现代写作特征———蒙太奇式结构。

Harold Pinter is one of the most important playwrights of the contemporary age, and he has always been linked with the school of the Theatre of the Absurd. However, Pinter makes various experiments in his writing career. It would be wrong to give the impression that Pinter's interests and methods have not changed during the thirty odd years of being a dramatist. Pinter ushers in more and more new devices in his later works. Some postmodern elements can be spotted in his plays like Betrayal or Mountain Language.