摘要
汉代辞赋的内容可分为抒情言志和体物两类。大赋可作为体物赋的最典型性代表,但与同时也出现了另一类型的作品———室内小物赋。它使汉赋作者的视角由京都园林延及至自身环境,为作者进而探讨自己的内心世界提供了可能。托物言志赋也在此初露端倪。
On the term of content, Fu(the essay-poem) was classified into lyric one and object one .Da Fu(the long essay-poem) was the most typical of the latter, but there appeared another one so-called Xiao Fu(the short essay-poem) on the room-side objects, which made the perspectives of the poets of essay-poems in Han Dynasty expand from the imperial gardens to the nature to meet the posts' needs to probe their inner world. What's more, the lyric Fu(essay-poem)had its inkling of the style at that time.
关键词
汉代辞赋
抒情言志
托物言志赋
内省自身
室内小物赋
高等师范教育
Han Dynasty
Xiao Fu(short essay-poem)on room-side objects
Da Fu in Han Dynasty
Lyric Fu(essay-poem)
introspect