志怪志人小说与微篇小说

Short-short Stories and Stories Recording Spirits and Anecdotes

在中国小说发展史上,魏晋南北朝时期的志怪志人小说,除了形态上开始独立成篇,创作理念上走向自觉的虚构以外,还以其对现实人生的关注,片断式的表现形态,限知叙述视角的广泛运用和戏谑化的艺术效果,展示了微篇小说基本成熟时期的艺术魅力。

In the development of Chinese novels, the stories recording spirits and anecdotes, which appeared in the Wei and Jin Dynasties and in the Northern and Southern Dynasties, besides their ideologically independent writings and conscious fabrication in artistic principle, show their artistic charm in the basically mature period, in the way of concern for reality and life, fragmentary expressing form, widely-used limiting narrative angle of view, and cajoling artistic effect.