《呼兰河传》:“回家”以及对“回家”的解构

The Biography of the Hulan River:Returning and Destructing Returning

在《呼兰河传》的潜隐主题形态表达中,萧红以女性话语重操乡音寻找家门的隐喻方式,清唱了一首“回家”之歌。她一方面借助对精神家园的重建,力图在对自然本源的精神归返中,达到对伤痛的医治和灵魂的自救;另一方面,又挺进了生活的纵深处,通过对小城人物日常生存的书写,超越了心灵回归而趋向了精神自醒,看到了“回家”的虚幻和自赎的无望,无形中解构了“回家”。“回家”与“欲回不能”拉出的巨大张力,是萧红尴尬却无以逃遁的生存困境的哀伤表达。

Xiao Hong sang a song of Returning in the metaphor way of feminine utterance in the hidden theme of the Biography of the Hulan River . On one hand, she tried to rescue her suffering soul in the course of the reestablishment of the spiritual homeland and the returning to natural origin .On the other hand, she found the nothingness of Returning and the disappointment of redeeming herself through the description of the daily life of the small town ,which destructed her Returning .The tremendous tension was the expression of Xiao Hongs awkward existence dilemma.