摘要
涩宗岱象征主义理论的两个基本观点是“契合”与“融汇”。梁宗岱以比较研究的角度和眼光宣传阐述象征主义理论,却又以中国文化精神来建立起对应和契合,在分析中层层展开了对象征主义基本观点、美学原则与表现手法的论述,逐层组合其象征主义从思想内涵到艺术手法的完整结构,使中国的象征主义理论逐步走向成熟。
Correspondence' and 'Mergence' constitute two fundamental points of view ofLiang Zongdai's symbolism theory. On the one hand, Liang Zongdai expounds symbolism theory from the angle of comparative study; on the other hand, he attempts to establish 'correspondence' and 'Mergence' with the spirits of Chinese culture. Step by step his basic views on symbolism, the principles and methods of aesthetics unfold. He tries to regroup the whole structure of symbolism from connotation to artistic techniques, and prompt the maturity of the symbolism theory in China.
作者
叶迭生
Ye Die-sheng
(Taizhou Normal College, Taizhou, Jiangsu, 225300)
出处
《彭城职业大学学报》
2004年第1期45-48,共4页
Journal of Pengcheng Vocational University
关键词
梁宗岱
象征主义
中国
新诗理论
Liang ZongDai Pure poetry Correspondence Mergence