书法客观批评模式的构建——源于当前一些书法批评的批评

On establishment of an objective model of calligraphy critique

目前书法批评的随意性导致其理论和实践价值的羸弱 ,主要问题是缺乏客观标准及审美维度体系。书法批评在艺术水平衡量、审美发掘和风格评析、创作规律总结、审美引导和阐释等方面的理论实践价值的实现 ,在很大程度上取决于书法批评规范的建立。建立书法审美维度体系后可以简化书法评价并提高批评的客观性 ,人们的审美差异通常可以包括在这些维度之中。书法审美维度建立后需要建立评价模型和评分标准。针对传统研究中审美维度体系具有主观性和不规范性的特点 ,结合古代书论和多学科相关理论、并兼顾术语的通俗易解性 ,书法评价维度体系的构建可包括客观属性感知、书写过程感知、无偏好类风格感知。

The uncertainty of the present calligraphic critiques results in the weakness of its theoretical and application values. The establishment of an efficient and objective critical criterion or dimension of calligraphy will in a large degree decide the actualization of the function of calligraphic critique in scaling the art works, aesthetic development and style analysis, and will also affect the summary of the artistic rules and public aesthetic appreciation as well as aesthetic elucidation of calligraphy. As long as the critical criterion system is established, the assessment of calligraphic works might be simplified, and the objectivity of the critiques enhanced. Also the differentiation of individual aesthetic process could be described within this system. In order to avoid criticizing uncertainty of the subjectivity of the aesthetic dimension system presented by normal research, by synthesizing ancient calligraphic classics and inter-discipline idea as well as the legibility of the dimension terminology, we have established a critique dimension system of calligraphy with four types of descriptive terminologies, i.e., the perception of objective attribute, perception on writing process, non-preferential style description and the preferential style description.