摘要
推崇绘画中的人品是文人画的一大特点 ,这一特点是在儒、道思想影响下 ,在绘画艺术的长期发展过程中形成的。文人画家所强调的“人品”糅合了儒家的理想人格和道家的自由精神 ,融汇了历史上文人雅士的精神品格 ,渗透于绘画艺术的品评鉴赏中。它和在中国艺术发展史上形成的文化传统有关 ,也和文人士大夫这一特定社会阶层的审美趣味。
It is a tradition to advocate artists’moral character in ancient Chinese painting. The concept of “ren pin”(artists’moral character) combines the ideal personalities of Confucius with the free spirit of Daoism. It represents a cultural custom to connect artists’moral characters with paintings’grades. The reason for this phenomenon should be sought in scholar painters’tastes of aesthetics and their social status and cultural environment.
出处
《东南大学学报(哲学社会科学版)》
北大核心
2004年第6期83-87,共5页
Journal of Southeast University(Philosophy and Social Science)