摘要
吴梅在北京、南京各高校从事戏曲教学的特点是强调理论联系实际 ,他没有停留在戏曲的文学层面上来立论 ,而着眼于综合艺术的全方位的研究 ,所以他的昆曲论著能结合舞台艺术的实践 ,独出新意。他不仅培养了曲学的研究人才 ,而且还培养了专业演员和业余曲友 。
As a teacher of Kunqu opera, Wu Mei has always focused on the combination of theory and practice. His works on Kunqu reflects that he regards the opera as a synthetic artistic form and his comments are always connected with the performance. He is not only devoted to the education of students of Kunqu research, but also to the teaching of many professional and nonprofessional actors and actresses.
出处
《东南大学学报(哲学社会科学版)》
北大核心
2004年第6期94-100,共7页
Journal of Southeast University(Philosophy and Social Science)
基金
第五届南京大学中流文教奖助金资助项目 (南大社科奖第 0 10 0 1号 )