摘要
文艺创作和文艺批评中对立统一的艺术规律,是艺术辩证法的核心。作者曾运用这一基本观点和方法写成了《论艺术辩证法》一文。但当时对一些重大理论问题,如生活的真实与艺术的虚构、写实与理想、再现与表现、有限与无限等等类型,都未论及,留下遗憾。今写"再论"即是对前作的补充和修订。
The rule of antinomy and unification in literature art creating and artistic criticizing becomes the core of the art dialectics. Talk about the art dialectics was written by using this basic standpoint and the method. It is a pity that some important academic problems were not treated of at that time, such as reality of the living and the figment of the art, realistic and ideal, reappear and express, limited and infinite, etc. leaving the regret. Now I write the paper as the complement and redaction.
出处
《贵州师范大学学报(社会科学版)》
2004年第6期69-72,共4页
Journal of Guizhou Normal University(Social Sciences)
关键词
艺术规律
对立统一
艺术辩证法
antinomy and unification
对立统一
about the art dialectics