摘要
曹禺先生早期剧作通过各种人物类型的交叉配置显示出其内在的主题意向——生命的异化与救赎,体现出曹禺对于人性及生命的深沉思考和终极关怀。
In his early plays, by intersectingly disposing various kinds of characters, Cao Yu expresses his internal theme:alienation and rescue. It reflects his great concern about human nature and life.
