《吕氏春秋》美在“中和”思想浅析

The“Moderation”Theory about Music Esthetic Theory of 《Lu Shi Chun Qiu》

《吕氏春秋》的音乐美学思想,反映了对先秦以来儒道二家的“中和”思想的融合。该著作把音乐客体与主体的生理、心理相统一,把艺术与自然、个体生命与社会相统一,追求人与自然、社会相“和”的艺术境界。本文从乐的起源、美的本质、追求美的途径、三个方面剖析其“美在中和”的思想。

The music esthetics of 《Lu Shi Chun Qiu》reflects the fusion of the“moderate”theory of the Confucianist and the Toist since First Qin Dynasty.That work unifies the physiology and mental state of the music object and the subject,unifies the art and nature,individual life and society mutually,pursues the ideal art state of“moderation”of the person with the nature and the society.This text analyzes its thought“Beauty lies in moderation.”from the music origins,beauty's character,the path of pursuing beauty,musical social function.