摘要
在古代的西亚、非洲各国的造型艺术中都能找到大量的狮子形象。中国的狮子造型在吸收外来造型影响的基础上 ,被赋予了浓厚的驯良色彩 ,并充分地与中国传统文化相融合 ,演绎了一种全新的华夏狮文化。从中我们可以看到 ,人类文化艺术之所以能生生不息、丰富多彩就在于文化融合中的选择性继承与新的繁衍。
There are many lion images in the statue arts of ancient West-Asia and Africa. Under the influence of foreign and traditional Chinese culture, Chinese lion statues were given a heavy tint of tameness, representing a grand new Chinese lion culture. From this, it is concluded that choice and multiplication in culture amalgamation is the motive force for the development of human arts.
出处
《上海交通大学学报(哲学社会科学版)》
2004年第5期76-80,共5页
Journal of Shanghai Jiao tong University(Philosophy and Social Sciences)