摘要
在演唱或教学处理普契尼男高音咏叹调时,应该把握如下要求:情感到位;角色到位;声音到位;吐字到位。
When dealing with the tenor part of Puccini's aria in singing or teaching practice, one should try to meet the following requirements: appropriateness of feelings; appropriateness of roles; appropriateness of sound, and appropriateness of utterance of words.
出处
《湘南学院学报》
2004年第4期80-82,共3页
Journal of Xiangnan University