摘要
陈望衡的新著《当代美学原理》提出情象本体、境界本体新说 ,明确审美本体与哲学本体、艺术本体的区分 ,并以此为核心 ,深入反思和阐发当代美学原理建设的诸多问题 。
In this article author discusses Chen Wang -heng’s new works Contemporary aesthetic principle, and thinks that this book puts forward the viewpoints of qing xiang ontology and jing jie ontology, distinguishes between aesthetic body ,philosophic body and art body, elucidates many problem of the principal of modern aesthetics, makes original contribution to the construction of contemporary aesthetic principle of China.
出处
《湖南大学学报(社会科学版)》
2004年第6期87-90,共4页
Journal of Hunan University(Social Sciences)
关键词
美学
本体反思
情象本体
境界本体
aesthetic principle
thinking at ontology
qingxiang ontology
Jingjie ontology