从“阮旨遥深”到“玉溪要眇”——中国古代象征性多义性诗歌之从主理到主情

From “the Far-reaching Meaning of Ruan Ji＇s Poems”To “the Subtilized Significance of Li Shangyin＇s Work”: From the Reason-based Mode To the Emo tion-based Style for the Ancient Chinese Symbolist and Polysemous Poetry

中国古代象征性、多义性诗歌，以魏晋之交的阮籍和晚唐的李商隐成就最高。阮籍把复杂的心理导向玄思，具有暗示作用的意象在外，而哲理玄思包藏于内，以虚拟象征之境，隐约暗示诗旨。李商隐主情，心象与物象相融合，构成象喻，表现丰富复杂的情绪与心灵景观。以两家诗歌风貌特征和先后变化为切入点，可以深入认识中国诗歌比兴象征传统的发展及其艺术经验。

Both Ruan Ji , poet in the cross-over point of the Wei and Jin dynast ies , and Li Shangyin , poet in the late Tang dynasty , have made the greatest a chievements in the ancient Chinese symbolist and polysemous poetry . R uan Ji loc ated philosophical and metaphysical reasons in suggestive and implicative subtle images , and utilized fictitious and symbolist situations to subtilize his poetical implications . Whereas , Li Shangyin , relying on sentiments, melted mental images with objects＇ images to bring forth poetic metaphors in order to reveal one＇s rich and complicated feelings and spiritual spectacles . Judging from the stylis tic characteristics of these two poets＇ works and their evolvement from the pre cedent ones to the later ones , we can draw out a profound comprehension on the development and artistic experiences of metaphoric and symbolist tradition in the classic Chinese poetry .