摘要
新世纪伊始,中国的女性创作呈现多姿多彩的话语表现形式,这既是对超性别写作理论的接受与发挥,也是女性写作走出传统女性主义阴影,向多元化、差异化、立体化转型的标志。在新的文化结构中,多角度、多视点地表现当代女性的起伏、多变、矛盾的主体位置,对悟解女性丰富的人生与流动的身份,无疑有着透视的作用。极富当代气息的新的话语表现,已为女性创作拓展了新的视野与空间。
From the beginning of the 21st century, Chinese feminine creative writing is full of abundant form of vocal expression, which is a kind of acceptance and brings into play for super - gender writing theory, as well as a signal for feminine writing to go out the shadow of traditional feminism and transforming to diversity and three - dimension. In the new structure of culture, expressing the modern feminine subjective situation of more change and contradictory has penetrative function for understanding the feminine abundant life and moving roles. The new vocal expression with modem atmosphere has expanded new field of vision and space for feminine creative writing.
出处
《台州学院学报》
2004年第5期30-35,共6页
Journal of Taizhou University
基金
浙江省社联2004年立项课题(浙社联[2004]45号[04B120])成果。