摘要
20世纪90年代以来,中国文化批评突破传统文学批评的边界,提供了一种全新的视角和思考模式,形成了独特的文化视觉。90年代以来中国文化批评的文化视觉是跨学科的开放性视觉,游弋于文本内外的内外兼修的视觉,具有实践性、政治性、批判性的参与性视觉。这一视觉的意义在于为文学批评开启了更广阔的空间。
Since the 1990s,Chinese culture criticism breaks the boundary of the traditional literary criticism, showing a new angle of view,and forming a particular culture visual angle of culture criticism.The cultural sense of vision of the criticism of Chinese culture in 1990s crosses the course with an opening sense of vision,swims both the inner and the outer of the text and is characterised with the fulfillment, political, criticism and participating vision .The meaning of the vision consists in opening the vaster space for the literary criticism.
出处
《江西教育学院学报》
2004年第5期79-81,共3页
Journal of Jiangxi Institute of Education