摘要
没有冲突就没有戏剧,这是颠扑不破的艺术规律。近年来国产电影电视剧现实题材影视作品创作量趋于减少,作品中明显出现冲突缺失的现象,收视率降低,艺术水准提升缓慢,难以与国际化的电影电视剧市场接轨并形成良性竞争。这种局面的形成有多方面因素,主要是出于政治与商业风险考虑过多,深层原因是影视管理层和观众层"文以载道"思想仍然根深蒂固,影视艺术尚未实现纯粹娱乐性功能。
It is an irrefutable law of art that there is no drama without conflicts.In recent years,decrease of homemade film and televison works of realistic theme as well as lack of conflicts in these works give rise to less and less audiences and slow development of artistic standard which leaves Chines homemade film and television works far behind international flim and television series market.Misgivings about political and commercial risks as well as film and television administrators' and the audiences' deep-rooted thought that 'the function of literature is to convey the Tao' (a moralist view of literature,advanced by Confucian writers of the past,notably HAN Yu,who by the Tao meant Confucian philosophical and moral principles)are the reasons for this phenomenon.Film and television art hasn't achieved the function of pure entertainment.
出处
《唐都学刊》
2004年第6期121-125,共5页
Tangdu Journal