摘要
本文认为,戏曲理论界对元人周德清的《中原音韵》与明人王骥德的《曲律》都有过深入的研究。 然将两者所制定的声律体制进行对比分析,却不多见。本文拟将《中原音韵·作词十法》与《曲律·曲禁四十条》的 异同进行辨析,以探索其流变关系,这对我们认识中国戏曲声律的特质,无疑是有积极意义的。
Zhou dong qing's 《zhong yuan yin yun》 in Yuan Dynasty an Wang Yi's 《qu lv》in Ming Dynastyhave been analyzed very much in theoretical field . However , it is rare to make a conrastire study to YinLv system by both works. This paper makes a comparision to their differences and similarities to explore thire relationships. All this will be positive to help people understand the characteristics of YinLv in Chinese theotre.
出处
《湖北广播电视大学学报》
2004年第5期62-65,共4页
Journal of Hubei Radio & Television University
关键词
南曲
北曲
戏曲声律
体制
流变
辨析
nan qu
bei qu
Chinese theotre
system
relationship
comparision