摘要
黄遵宪晚年诗歌以律体诗为主,诗人充分利用律体诗含蓄凝练的特点,表达在险恶政局中对国家民族危难的忧伤悲愤,体现诗人对于传统诗歌手法的纯熟运用。而诗人晚年还写下"军歌"、"校歌"这样一些通俗的口语体作品,与古奥的律体共同构成其晚年诗歌体式的两个极端倾向,从中可以看到黄遵宪在诗艺追求上徘徊于继承与创新之间。口语体诗是突破诗歌凝定模式的尝试,但仅着眼于外在鼓动性,而把诗人自我淡化于诗外;律体诗含蓄难懂,却是自我感情真挚的倾诉,深沉动人。诗人偏爱后者。这种新旧交错的班驳色彩正是近代诗坛的特点。
Huang Zunxian composed mainly regulated verses in his later years. The aged poet expressed his worries and anxieties concerning the future of his country,applying perfectly the implicit and succinct techniques of the antiquated verse,which forms a sharp contrast with his colloquial poems,like Military Song and School Song also written at his old age. That is to say,Hang Zunxian pursued both tradition and innovation. The colloquial poems were good at arousing while the regulated verses expert in moving. Huang Zunxian loved the latter more than the former,which reflected the poets' characteristics of his times.
出处
《广东教育学院学报》
2004年第4期36-40,共5页
Journal of Guangdong Education Institute
关键词
黄遵宪
晚年
律体诗
典故引用
Huang Zunxian
later years
using allusions
succinct
sorrow
tradition