摘要
唐代人物画理论中有一个重要的思想倾向,这就是贯穿于其中的强烈的历史意识。这种历史意识主要是通过对绘画起源的考察,从而将绘画发展视为一个连续而完整的过程。
The history ideology is an important part of the theory of Tang Dynasty portra it paintings. By the analysis of the source of the painting, the history ideolog y takes the development of painting as a whole and successive process.
出处
《东南文化》
2004年第6期72-76,共5页
Southeast Culture
关键词
人物画理论
历史意识
绘画发展规律
Portrait Paintings Theory History Ideology the rule of painting dev elopment