世纪视野中的蒋孔阳美学

Jiang Kongyang's Aesthetics in the Vision of the 20th Century

蒋孔阳是一位融人格、生命、学问和美于一体的美学家,他的美学思想被誉为"中国当代美学研究的总结形态"。历史地评价蒋孔阳美学思想,需要把握学理认知的两个评价维度:世纪中国维度和世界美学维度。亦即在纵向上,看其对20世纪中国美学的贡献;从横向上定位于世界美学舞台上的中国声音。蒋孔阳美学人生的方法论启迪在于:独特的入思方式,厚重的内修之道和求真创新的治学风范。

Jiang Kongyang is the aesthete with the charm of personality, life, knowledge and beauty. His ideas on aesthetics are considered as 'the summary form of the modern aesthetics research in China.'For a historical appraisal of his aesthetic thoughts one needs to grasp firmly two theoretical phases of evaluation: the Chinese tradition in the century and the aesthetic trend in the world. That is to say, from the above vision, we should not only understand his contributions to the Chinese aesthetics in the 20th century on the vertical axis, but also, on the horizontal axis, capture his personal image as the Chinese voice in the world aesthetic stage. The methodology of Jiang Kongyang's aesthetic human life can offer us the following points of enlightenment: unique way of thinking, earnest and decorous inner cultivation, and creative, truth seeking manner of studies.