在“我”与“他人”之间——郭沫若前期小说中的自我形象论析

Between the self and the other ——An analysis on self-image of GUO Mo-ruo's early novels

郭沫若的前期小说主要是"自我小说",所塑造的"自我形象"虽然表征各不相同,但在本质上是相同的。在与"他人"的相互"注视"中,生存处境在"自我"的感受中被极限化。由此,"自我"在爱欲、家庭、社会、国家及至自我实现与生死抉择的多个层面被撕碎,同时又被拼接。其精神内质的复杂性,可视为"五四"落潮时期中国现代知识分子的一般精神特征。

Most GUO Mo-ruo ' s early novels are identical in essence although they have different features. The survival situations were shaped to the ultra limit in the feelings of the self during the gaze. Thus, the self was torn to pieces and also mended up on the multi-facets of amour, family, society, nation, self-realization and the life-death choice. The complexity of the spiritual essence can be regarded as the general spiritual characteristic of the Chinese modern intellectuals during the ebbing period of the May 4th movement of 1919.