迷幻列车——王家卫电影的后现代主义特征

On the Characteristics of the Post - realism upon Wang Jia - wei' s Films

在中西方两种文化产生碰撞并交融的香港,王家卫作为新时期独树一帜的优秀电影导演,凭着自己对人生的敏感、感悟和反省,通过对电影叙事方式的创新,在电影内容和形式上呈现出一个与传统电影艺术截然不同的影像世界,形成了独特的电影艺术语言:将时空平面化,将人物边缘化,将故事零散化……体现了强烈的后现代主义特征,并由此把他自己和他的观众带向了理想主义的电影艺术世界。

In Hongkong, where is often knotting the shock and blending of Chinese and Western cultures, Wang Jia - wei, as an excellent distinctive director in the new time, depending on his own special feeling, meditation and introspection, has created an entirely different video world in the film contents and forms against the traditional cinematics, and shading a unique film language; time and space molding into complanation, figures pushing into peripherization, story and plot separating into department which shows a clear characteristics of the post - realism, and brings himself and his audience into an idealist film artistic world.