摘要
商用时期,中国艺术结构与巫文化及史官文化发生分离,其标志是美饰象征结构意识呈现于艺术的深层机制,并通过与德性观念的相互协合,促成艺术观念的“实用化”,使中国艺术结构之文化体征有了十分关键的推进和提升。
The Chinese art structure was seprated from wizard culture or, namely, as a structural consciousness, It was penetrated and that essential harmony between 'decoration or representation' and 'De and Xing', impelling the 'ideal pragmatism' of Chin art and advancing the cultural particularities of Chinese Art structure.
出处
《河北大学学报(哲学社会科学版)》
CSSCI
2004年第6期34-36,共3页
Journal of Hebei University(Philosophy and Social Science)