明清戏曲批评视野中的“趣”

The Category of "QU"(interest)of the Dramatic Crititical Visual Field in the Ming and Qing Dynasty

“趣”是我国古代文论的重要审美范畴，体现在戏曲批评中，它在明代始得到引入和阐说，曲论家们主要从戏剧语言运用、技巧表现等角度论及到“趣”，“趣”首次被标树为了戏曲审美的本质所在；延展到清代，“趣”在戏曲批评中运用更为广泛，曲趣论得到进一步拓展，曲论家们对“趣”作为戏曲审美的本质、曲趣的表现范围、生成、特征等进行了更为切中的探讨。

The category of 'Qu' (interest) is an important aesthetic catgory of Chinese classical literary theories. In the dramatic theories, it began to draw and explain in the Ming Dynasty, the critic discussed the 'Qu' mainly from the angle of the dramatic words and skill, the 'QU' was firstly paraded as dramatic aesthetic essence; To the Qing Dynasty, the 'Qu' was applied more wildly, the dramatic 'Qu' gained a step further to develop, the critic had more discussion about the aesthetic essence, expressive scope, production and characteristics of the 'Qu' of drama.