摘要
佛像在中国的本土化是印度佛教进入中国后的历史文化艺术产物。本文试图从以下几个方面阐述,一、印度佛像的形象及特点;二、佛像在中国本土化的基本进程及特征;三、佛像在中国本土化的缘由。
The localization of Buddha's figure in China is the art product of historic culture after Indian Buddhism entering China. The essay will give an analysis from the following aspects:first,the image and feature of Indian Buddha's figure;second , the basic development and characteristics of localization of Buddha's figure in China;third, the causes of it.
出处
《河南师范大学学报（哲学社会科学版）》
北大核心
2004年第6期133-135,共3页
Journal of Henan Normal University(Philosophy and Social Sciences)
关键词
佛像
菩萨像
本土化
佛教
Buddha's figure
figure of Bodhisattva
localization
Buddhism
