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论马致远的创作心态与杂剧《汉宫秋》

On the Artistic Creation in the Autumn in Palace by Ma Zhiyuan
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摘要 在民族矛盾、社会矛盾都十分尖锐的元代 ,文人地位低下 ,理想与现实的错位困惑着他们 ,苦闷、激愤的心态常出现在他们的文学作品中。杂剧《汉宫秋》是马致远的代表作 ,作者在剧中创造了富含蕴意的人物和意象 ,剧中人物汉元帝和王昭君是作者人生中现实与理想两个层面的化身 。 In Yuan Dynasty (1279-1368),there were contradictions among nations and society,scholars had no position.The disorder between ideal and reality perplexed scholars,so the mentality of depression and indignity had been found in their works.《Autumn in palace》 was masterpiece of Ma Zhiyuan,he created profound characters and image.Han Yuandi and Wang Zhaojun were the embodiments of reality and ideal of Ma Zhiyuan,they met and loved each other,but had to separate in the end.It symbolized misery that Ma Zhiyuan's ideal was shattered to pieces.
作者 潘艳
出处 《安康师专学报》 2004年第6期52-55,共4页 Journal of Ankang Teachers College
关键词 创作心态 马致远 杂剧 《汉宫秋》 Yuan Dynasty Plays Creative mentality Ma Zhiyuan Autumn in Palace
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参考文献2

  • 1[8]元史[M]. 北京:中华书局,1976.
  • 2[3]臧晋叔.元曲选[M].北京中华书局,1958.

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