论《金瓶梅》对《水浒传》女性观的扬弃与超越

Women Images in The Water Margin and The Golden Lotus

以《水浒传》和《金瓶梅》两部作品塑造的女性形象的内在精神脉络为轴线,从女性贞节观念、婚姻自由、尊重情欲三个方面出发,试图对两部作品的女性观进行比较,论述《金瓶梅》正逐步扬弃《水浒传》所颂扬的传统的女性观念而不断向宏扬女性人性解放的女性观发展。

This paper attempts to compare the views of women from the two novels —— The Water Margin and The Golden Lotus in three aspects: the chastity ideas of women, freedom of marriage, respect of lust. The comparison, based on the inherent spirit of the women characters, shows that The Golden Lotus developed the view of women liberation while discarding the traditional idea of women praised in The Water Margin.