摘要
用亚里士多德的诗学理论研究契诃夫的《樱桃园》,讨论《樱桃园》中悲剧和喜剧因素的融合方式,可以发现它在喜剧创作中借用了亚里士多德关于悲剧的情节、人物和感情净化的构建模式,而以喜剧的方式表现出来。
In this paper, I'll study how The Cherry Orchard borrows some of the Aristotlian formulation of tragedy but creates a comedy. The Cherry Orchard conforms to Aristotle's definition of tragedy in the aspects of plot arrangement, character, and emotional purgation, which however, are transformed into a comic form in the play.
出处
《信阳师范学院学报(哲学社会科学版)》
2004年第6期101-104,共4页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)