论冰心三四十年代作品艺术风格

ON the Atistic Style of Bingxin's Literary works During 1930's and 1940's

冰心是20世纪中国最杰出的文学大师之一。她从1919年五四运动之后,便开始了文学创作。她的作品,如"问题小说"、小诗、散文和儿童文学开创了新文学的先河,而"冰心体"的创造,则是她最杰出的贡献。"爱的哲学"的提出又使她成为现代文学史上最有个性,最有特色的一位女性作家。但是,至今冰心的作品受到评论界充分关注的仍只是她20年代的作品,她三四十年代作品所体现出的一以贯之的对爱与美的追求及其艺术风格,却一直为研究者所忽略,这自然有碍于对冰心创作全貌的把握。本文拟以冰心三四十年代的生活为立足点,试图对她这一阶段的重要作品所表现出的文学精神及艺术风格予以解释。

Bingxin is one of the most distinguished masters in literature in China in the 20 th century. She got started on her literary work after May 4th Movement in 1919. Her works such as problem novels, poems, prose and children's literature set a precedent in the new literature and the creation of 'Bingxin Style' is her remarkable contribution to the Chinese literature. With her notion of 'The philosophy of love ' she became the most distinctive woman writer in the history of the contemporary literature. And yet to date what receive the full attention of the critics is still the works she created in the 1920's. Her pursuit of love and beauty as well as the style of vigor, expressiveness and humor expressed in the works created in the 1930's or 1940's slipped the attention of the Chinese scholars, which presents a hinderance to the full grasp of her works. The author of this paper, based on Bingxin's life in the 1930's and 1940's,tried to expound Bingxin's literary spirit and artistic style reflected in her literary works in the same period.