摘要
张爱玲将自己文学的目光投向了"软弱"和"不彻底"的凡人,关注他们被忽略和被压抑的人性的常态,更加贴近了历史文化的主体及其精神世界。她对小说故事性的高度重视,摆脱了当时主流意识形态和启蒙话语强加在小说身上的重荷,体现了对小说这种文体的充分尊重。她探讨了现代表现技巧和形式与传统通俗小说融通的可能性,并以其卓越的才华为"雅俗共赏"做了可贵且成功的尝试。
ZHANG Ai-ling turned her literary sight to those 'flabby', 'halfway' mortals, and paid attention to the ignored and oppressed humanistic normality, which was more closed to the main body of historical culture and their spiritual worlds. She attached importance to the narration of fictions, and got rid of the burthen imposed by ideology of the main stream, which was adequately*respectful to fictions. She also discussed the possible inosculation of modern expressive skills and traditional popular fictions. Via her superexcellent artistic talent, ZHANG had a worshipful and successful try to suit both refined and popular tastes.
出处
《黄冈师范学院学报》
2004年第5期42-45,共4页
Journal of Huanggang Normal University