摘要
东坡体经历了雏形期、形成期和高峰期的三个时期。密州时期的三大名篇,标志了东坡体三种体式的确立,黄州时期在表现主题方面有两大突破,一是对于自然的表达,二是对于日常生活的表现。社会角色的转换,使东坡更为接触大自然和底层的日常生活,从而将自然与社会,现实与历史,外物与自我,实现了高度的融合,并将豪放词、婉约词和旷达词都推向了新的高度。
The Dongpo style has gone through three periods: embryonic form, formation and peak. Three major famous chapters of Mizhou period, mark the establishment of three kinds of styles of Dongpo style. There are two major break-throughs in displaying the theme of Huangzhou periods. First is the expression of the nature, and the second is the behavior of daily life. The conversion of the social roles exposes Dongpo more to the nature and daily life. Thus the nature and society, reality and history, other things and himself, have integrated very well, and have all pushed bold and unconstrained ci, the graceful and restrained ci and broad-minded ci to the new position.
出处
《乐山师范学院学报》
2004年第11期6-12,共7页
Journal of Leshan Normal University
关键词
东坡体
三大体式
自然
日常生活
Dongpo bstyle
three major styles
nature
daily life