摘要
本论文之主要目的是将被误定的元初书画鉴赏家汤之《画鉴》的写作年代加以更正。此书原定为至治到至顺年间(即1320或1330年代),经考证乃撰于至元、大德年间(即1280及1290年间)。此外,作者对《画鉴》之版本、流传及内容亦作进一步之研究,并探讨汤写作《画鉴》的动机及潜在读者,以及《画鉴》对当时绘画发展及后来有关画论著作之影响。这些疑问之厘清有助于当今美术史家对元代绘画发展之重新认识。
Themain aim of thispaper is to correct the date when Tang Hou, theearly Yuan connoisseurof painting, wrote his work Hua’jian. This book was originally regarded as having been written at some time in the Zhizhi- Zhishun reign periods (1320s-1330s), but the author’s research establishes that Hua jian was written in the Zhiyuan-Dade periods (1280s-1290s). The author also presents new research on the editions, transmission and content of Hua jian, as well as examining the motivation behind its writing and its potential readership, and its influence on the development of contemporary painting and later works on painting. The examination of these questions enables us to appreciate anew the impact of contemporary art historians on the development of Yuan painting.
出处
《故宫博物院院刊》
北大核心
2004年第6期64-71,共8页
Palace Museum Journal
