摘要
莫言新作《四十一炮》以一个孩童视角完成了一次诉说的狂欢。在这一独白式的诉说中包容了两种叙述语式、两种时间意识、三条线索的拼接交错 ,真实与虚幻、魔幻与现实的异质并构 ,主人公的纯粹独白中夹杂着各种意识并存的复调叙事———这种结构复调是在更为开放的层面上建构的一种复调关系。
Mo Yan’s new fiction Forty-one Guns has been written as a narrative revelry in a children’s vision. During the mono logue, there are two kinds of narrative formulas, two kinds of consciousness of time and three narrative clues, mingling together sincerity and falsity, magic a nd reality , including various consciousness in hero’s pure monologue.
出处
《沙洋师范高等专科学校学报》
2005年第1期53-55,共3页
Journal of Shayang Teachers College
关键词
复调
狂欢
诉说
叙述语式
时间意识
revelry
narration
narrative formula
consciousness of time