摘要
先秦儒家的美学观念最突出的是"中和",他们在艺术上崇尚"和"的精神;先秦道家的美学观念 最突出的是"虚无",他们在艺术上追求"虚"的意境。论文仅从"中和"准则和"虚无"思想这两方面,谈谈先秦 儒道的美学观念对中国艺术的审美特征的影响,并以音乐、建筑、舞蹈、绘画等艺术为例,试作中西比较。
In the aesthetic concept of Confucianism in the pre-Qin period is highlighted 'moderation'and the spirit of 'gentleness' is upheld in art while in that of Taoism in the pre-Qin period is stressed 'nihility' and the artistic conception of 'nihility' is aimed at. This paper attempts to discuss the impact of the aesthetic concepts of Confucianism and Taoism in the pre-Qin period on the aesthetic traits of Chinese art in terms of 'moderation' principle and 'nihility'and to present a comparison between Chinese and Western art in music, architecture, dance, painting, etc.
关键词
儒道美学观念
中和
虚无
艺术审美特征
the aesthetic concept of Confucianism and Taoism
moderation
nihility
artistic aesthetic traits
