摘要
"陌生化"作为俄国形式主义文学批评流派的核心观念,其理论实质就是要以一种与惯常相对立的表现方法,或以反常的形式摆落世俗,从而去贴近和呈现真实。禅宗运用反常化手段的目的,也是为了超越俗相或假相,以反常的方式达到真实。黄庭坚代表的江西诗派理论以及像陶渊明等追求平淡风格的诗人,其有意摆落世俗、不愿同流合污的主体精神更具有一种以反常而求真实的哲学意义。文章揭示的正是从反常、"平常"甚至平淡走向不同寻常的真实的艺术思辨活动。
'Defamiliarization'is the core concept of the school of Russian formalistic literary criticism, which virtually utilizes a kind of expression mode contrary to normal ones or uses an abnormal manner to free itself from conventions so as to approach and represent reality. likewise, unusual means are employed by the Chan sect to transcend worldliness or falsehood so as to attain reality. As for poets in pursuit of a plain style, their subjective spirit of ridding themselves deliberately from worldliness and the tide of fashion is of more philosophical significance in seeking reality by virtue of the abnormal. This paper attempts to elucidate the artistic philosophical process of progressing from abnormality and 'commonplaceness'to extraordinary reality.
关键词
陌生化
平常心
平淡
形式
真实性
defamiliarization
ordinary mood
plainness
form
reality