江上青山愁万叠——析明末民窑青花“望江图”

Appreciation on the Blue and White Porcelain out of Civilian Kiln at the end of Ming Dynasty

青花是以钴蓝为原料的釉下彩，发色沉着柔和，呈色稳定，绘制成的画面清新素雅，所以它一经出现，便迅速成为瓷器的主要装饰手法。

The porcelains produced by the civilian kiln are most adopted in daily life at the end of the Ming Dynasty, which are quite differentwith those out the official kiln. The most extruding character is the changing of the decoration with varous topics, bold brushes andunrestrained connotation. Whether the figure, the bird and flower or the landscape, each are simple and concise to invoke indefiniteimagination of the people, which are imprinted the mark of that era in the style and technique adopted.