摘要
廿世纪下半期以来 ,法国戏剧创作遭到了前所未有的打击 ,既不再有大师级的剧作家 ,也不再有伟大的剧作 ,文学的地位一落千丈。然而 ,剧作家们并没有坐以待毙 ,而是顽强抗争。在他们锲而不舍的努力之下 ,终于在 70年代末迎来了黎明 ,一个名为“日常戏剧”的流派应运而生 ,科尔代斯便是其中一位杰出代表。科氏在法国戏剧史上占据着非同一般的地位 ,已经成为各国学者研究的重要对象。然而 ,我国评论界至今还没有对其予以应有的关注 ,本文便是对这一缺憾所作的一点弥补 ,对这位法国新戏剧的代表作一番简单介绍。主要包括两个部分 ,分别介绍科氏的生平与剧作 ,不求全面正确 ,唯以抛砖引玉。
From the second period of the 20th century,the French playwright was suffering from a serious attack without precedent.There was neither master nor great play and the literature has lost its previous dominant position.However,playwrights didn't give up at all but struggled energetically.Thanks to their efforts,a new theatre school named “the theatre of everyday” was born at the end of the 70th.In the history of the French Theatre,Koltes is a very important playwright and his plays have become subjects of many scholars' studies in the world.But,till now no attention was paid to him in China.This paper is just to fill this regrettable gap in presenting briefly the life and the major plays of this representative of the contemporary French theatre.It is not complete nor always correct.Our only purpose is to draw more studies on his plays in China.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2001年第1期20-26,共7页
Drama:The Journal of the Central Academy of Drama