摘要
一方面,现代主义充斥着我们的生活,另一方面人们又怀念传统和地域文化,这便产生了新地方主义。桂林在老城区的建筑创作中自觉或不自觉地采用了三种坡屋顶建筑形式,文中逐一归纳分析他们在屋顶形式,立面和色彩上的区别以及所体现的地方文化含义。
At one side, our lives are full of modernism, at the other side, people miss their tradition and their regional culture which help the produce of neo-localism. Architects at Guilin adopt three slop-woofs forms in their design. This article discusses their deference at woof, elevation and color and the place and culture meaning.
出处
《南方建筑》
2004年第4期9-11,共3页
South Architecture